"I've got nothing, so I'm going there." Former small-time crook Yotaro has never forgotten the rakugo tale "Shinigami" that the great artist Yurakutei Yakumo performed to him in prison. After his release, he goes right to Yakumo's theater, and pleads to be made his apprentice. He's accepted, but quckly finds himself dealing with many strange twists in the world of rakugo, including a growing bond with Yakumo's ward, Konatsu, and reminders from his own inescapable past.

Yakumo begins the story of the promise he made with Sukeroku. When he was young, he was taken in by the 7th generation Yakumo and named Kikuhiko. He met the young boy Sukeroku, a strange child who insisted on taking over the Yakumo name, with a natural talent for rakugo. He is given the stage name Hatsutaro, and although his personality is unconventional, and his rakugo is rough, he loves rakugo more than anything. Together wth his polar opposite, the reluctant Kikuhiko, they begin their days of training.

After their first performance, Kikuhiko sharply feels the difference in skill between himself and Hatsutaro. Hatsutaro recommends he try erotic stories, but Kikuhiko is struggling so hard just to memorize the beginner stories, he can't even begin to consider anything else. The fact that he has to go to school in the mornings causes the gap between him and Hatsutaro, who can spend the day learning rakugo, to grow wider. Even so, he gradually comes to love rakugo more and more, and to develop something of a normal life. But the shadow of the war approaches, tearing rakugo, love, and friendship apart...

Kikuhiko and Hatsutaro, promoted to futatsume, left their master's house to live an impoverished life on their own. Ever since changing his name to Sukeroku, Hatsutaro's popularity has skyrocketed. Even Kikuhiko is shocked by his unwavering ability to make people laugh at difficult stories. Meanwhile, Kikuhiko is working to feed the both of them, so much so that he can't even get good training done. To cheer him up, his master introduces him to a geisha called Miyokichi...

After a performance, Sukeroku comes home drunk with girls on both arm. Work or play, he navigates all areas of life smoothly. Kikuhiko is annoyed with him, but he's also jealous of how easy he has things, while Kikuhiko himself struggles with practice for their play. Is he really cut out for rakugo? As he asks himself that question, Kikuhiko happens to run into Miyokichi, who leads him off with a mischievous grin...

Kikuhiko is feeling better about himself after the success of the play, with the audience hanging on his every word and gesture. Sukeroku tells him that he had a similar experience during the war, and that ever since then, he decided that he would do rakugo for the people. He asks Kikuhiko what he's doing rakugo for, but Kikuhiko, who has always done rakugo to secure a place to live, has never even considered the question.

After finding his own rakugo, Kikuhiko has become quite popular. Even when he's out with Miyokichi, rakugo is all he can think about. Meanwhile, Sukeroku is buoyed into arrogance by his own popularity. He takes on stories beyond his station, he picks fights with the masters... Sukeroku is dragging Kikuhiko around, complaining about the lectures he's receiving, when Miyokichi arrives to interrupt...